“Photographic Traces and Cinematic Returns: Review of Garrett Stewart’s Framed Time: Toward a Postfilmic Cinema (2007).” Time and Society 19, no. 1 (2010): 154–57.
ABSTRACT: What might a ‘post-filmic cinema’ be and what temporalities might be at work in it? Cathy Hannabach reviews Garret Stewart’s book about a recent and repeated return to celluloid, and even more anachronistically, a return to the series of still and framed photographs that make up celluloid, in both European and Hollywood.
